Sunday, March 29, 2020

Oh Say Can You See... The Francis Scott Key Hotel

While not the metropolis of Baltimore, Frederick Maryland had its own visions of municipal modernism after the Great War. At the time Frederick had a population of about eleven thousand people, just off the National Highway and about 45 miles from both Baltimore and Washington. One of the town projects post war was the establishment of a modern hotel to serve both travelers and the community at large.


On January 8, 1923, the Francis Scott Key Hotel opened. Named after the author of the Star Spangled Banner, a Frederick native who was also buried there, the hotel was a community project, residents of the town subscribing one million dollars towards its completion. This new 200 room fireproof hotel, designed by Frederick Weber, was aimed to attract tourists off the National Highway, as well as provide an elegant setting for the important social events of the town.

Lobby

The entrance to the lobby is from both streets, the main entrance being from Court Street. When it opened it was furnished with good taste and presented a comfortable atmosphere. The walls were a buff color, and the columns trimmed with walnut panels. There was a lounge on either side of the lobby, and the reception desk still faces the main entrance, with the dining room originally to the left.

Francis Scott Key Hotel Service Plate


The dining room could accommodate 150 guests and was supported by two square columns faced with mirrors. The color scheme was similar to the lobby, and the decoration was of cameos placed at the tops of the columns and bordering the room. The white figures stood out with pleasing effect on the blue background enclosed in a decorative border, and the windows and doorways were arched and had heavy blue drapes. The chandeliers were silver with crystal hangings and the table lamps had gray shades, with black colonial figures on them. The chairs in the dining room were mahogany with blue upholstered seat and the floor was carpeted over marble. Wallace supplied the silver, and Maddock of Trenton, New Jersey originally supplied the china. When Maddock was acquired by Scammell, the new firm continued production for the hotel. In the early 1930s china was supplied by Hutschenreuther Porcelain Factory in Selb Germany under the Black Knight trade mark.

Dining Room


The wait staff when they opened were entirely African-Americans, and the menus were a la carte, though they did offer club breakfasts and dinner specials. In 1965 Loyola Federal Savings and Loan converted the dining room into a bank branch, a well as commissioning the murals for the lobby of the hotel. 




A coffee shop was at the right of the Patrick Street entrance, also having a separate entrance directly off Patrick Street. The shop had 30 stools and tables to accommodate an additional 44 guests. The color scheme of the shop was light blue. They also had a chilled pastry cabinet inside the counter which did efficient work as a silent salesman by displaying the products of the pastry department. The wooden stools at the counter had a small back, and the marble counter was supplied by the Appalachian Marble Co. of Tennessee.

Coffee Shop

Portrait of Francis Scott Key by William Grinage
Commissioned by the local Kiwanis Club for the Hotel


The elevators were located behind the reception desk, and opposite them was a ladies' parlor, as well as a coat check room. 



On the mezzanine floor over the reception desk were the public stenographer, men's lavatories, ladies' rest room, and the orchestra. Also off the mezzanine was the banquet room, which could has accommodation 275 guests, and was of a style similar to the main dining room, light buff being the prevailing color. There was also a private dining room on this floor large enough for a party of 30 guests. It had a striking black and white leaf design. Because of its favored location it had light on three sides.

The kitchen was located in the back of the building, between the main dining room and the coffee shop. It was connected by a stairway with the private dining room and the banquet room. The layout gave ample room for the various departments, and the construction of the building provided for light and air. A small service kitchen connected with the main kitchen and was maintained for the coffee shop. Stairs led down to the grill room in the basement, also to the storeroom and meat box, sharp freezer, vegetables, milk and butter boxes. The pantry was served by dumb-waiter from the storeroom.

The guest rooms were comfortable and tastefully furnished. A typical room had a Simmons bed with attached light on the headboard, and a walnut finish. The dresser had a light over center of the mirror. There was trunk stand, a writing desk, with a lamp of art metal finish, a telephone on the desk, a metal waste basket, an upholstered arm chair, and a spindle back chair. The clothes closet gave ample space. Each room also had two windows, which were screened, and with cretonne drapes. The bath rooms had white enameled walls, with six-inch tiled base curved from the floor, and built in tubs.

Typical Guest Room


In the basement there was a billiard room, a five chair barber shop, a public lavatory with pay toilets, and an attractive grill. The Blue and Gray Grill was dedicated to the American Legion of Frederick, the Blue and Gray division, and had the insignia of that organization mounted on the fireplace. The color scheme was in keeping with the name of the division it represented. The walls were of rough mottled plaster of light blue with gray panels. The floor, a few steps below the general level of the basement, had a red tile border about five feet in width, the balance being of studded tile. A large wrought iron circular chandelier hung from heavy iron chains was in the center of the room. The huge fireplace, directly opposite the entrance, stood as an everlasting welcome to the guest. Green stained arm chairs with black leather seats were also used. In keeping with the civic nature of the hotel, meetings of the Rotary, Kiwanis, and Lions were held in the grill, which had seating available for 125 guests. There was a small lounge outside the grill and a check room opposite the elevators.

Blue and Gray Grill

The hotel continued to operate until 1975 and today, which it still graces the town as a landmark, it no longer serves the civic nature it once did. Restored and with a new lease on life, it now is used as apartments.

Thursday, May 9, 2019

Before the Ban Part 5 - Pre-Prohibition Baltimore Breweries - Jacob Seeger Brewery/Baltimore Brewing Company

Born in Reutlingen in the Kingdom of Wurtemburg in 1809, John “Jacob” Seeger emigrated to the United States when he was about 22 years old. Raised by a father who was an accomplished silver-plater in what became part of the German Empire, Seeger followed in his patriarch’s vocation.
Upon arrival in the city of Baltimore in 1831, Seeger accepted a position as an apprentice in the craft.
Saving his earnings over the next 3 years, Seeger amassed enough of his money to open his own proprietorship. Establishing his business on German Street in 1834, Seeger quickly achieved a reputation for being a competent and quality plater.

In 1835 Seeger married and started a family. For the next 20 years Seeger’s business prospered and flourished, and he fathered two daughters. The period was not without tragedy, however, as in 1845 his wife died. Five years later Seeger married a second time, and resumed his pursuit of fathering a family.

In 1854 Seeger diversified his business pursuits. Having witnessed first-hand the various successes of Baltimore’s local brewers, Seeger decided pursue the beer making business himself. With capital accrued over the years through the success of his silvering business, Seeger purchased property on the corner of Baltimore’s Frederick and Pratt Streets. There, on his acquired property, he constructed a new brewery with the goal of producing lager beer. Unlike other local brewers, Seeger was the first to brew lager beer in Baltimore.

And as was common for the era, Seeger’s brewery included a public beer garden where his customers could congregate, eat, and drink. Using his storefront on German Street as the brewery’s business office, Seeger combined the management duties of both his enterprises. Branded under the names Crystal Brewage, Seeger’s, and Jacob Estate, his brews quickly became a local favorite. Locals developed a taste for his beverage, and soon Seeger realized hefty profits from this second venture.


Jacob Seeger's Lager Beer Brewery 1869

By 1866 Seeger abandoned his silver-plating business altogether, selling off his interest in the craft.
No longer a distraction, Seeger was thus enabled to fully focus his attention on brewing, which, at this point, had become a local economic powerhouse. Paul August, a son from his second marriage, joined the business. Sometime in 1876 Seeger developed health problems which rendered him immobile. Despite his health challenges, he continued running the business, with his son working by his side. In 1878 they sold 10,005 barrels of beer and in 1879 7,362 barrels of beer.


Advertisement 1877


Advertisement 1879

In 1888 Seeger's brewing company changed monikers and was renamed Baltimore Brewing Co. Then again, in 1899 the brewery was consolidated into the Maryland Brewing Company with most of the independent breweries in Baltimore, namely George Bauernschmidt Brewing Company, George Brehm, Wehr, Hobelmann & Gotlieb Co., National Brewing Co., Eigenbrot Brewing Co., Darley Park Brewery, Bayview Brewery, Mount Brewery, Vonderhorst Brewing Co., Germania Brewing Co., George Gunther Sr. Co., Oriental Brewing Co., S. Helldorfer's Sons, John F. Weissner & Bro., and John B. Berger.

Advertisement 1887

Initialy renamed the Baltimore Brewery of the Maryland Brewing Company, it was in excess of brewing needs for the new consolidated company, the brewery was closed and never reopened. Nothing survives of the brewery today.

Advertisement 1890


Baltimore Brewing Company 1890
2311 West Pratt Street

Baltimore Brewing Company 1901
 2311 West Pratt Street 
closed by 1901
All Rights Reserved.

Sunday, May 5, 2019

The Aintree of America... Fair Hill

In the northeastern corner of Maryland lies one of the most unique racecourses in American horse racing history, Fair Hill. The Fair Hill project began in the 1920 when William S. du Pont, Jr. began assembling 7,000 acres of land, known as Foxcatcher Farm, straddling the Maryland-Pennsylvania border into one of the America's last fox hunting preserves. As part of this project, he also built a race course which he hoped would match or surpass the competition over the fabled fences of the Aintree Race Course, home of the Grand National in England. He would ultimately design 23 race courses including Delaware Park. Unfortunately, the Fair Hill's major race, the Foxcatcher Steeplechase, never did attain the statue which du Pont hoped it would.

1935 Fair Hill Race Course

Aerial view of the 1938 Race Meet

Construction of the race course began in 1926 with the planting of grass for both the steeplechase and turf courses, but the course did not open until August 25, 1934, when the first Fair Hill races were held. The Foxcatcher National Cup, the major race of the course, consisted of a daunting three mile race over 19 obstacles, the lowest fence 4'8", the highest, the 6'4" Chinese Wall named for its brick and stone construction. The Chinese Wall also had a depth of 13 feet including a water hazard and a ditch. The courses lowest jump was only 3 feet, but required a 24 foot overall jump over 16 feet of water. The Liverpool on the course required a horizontal leap of nearly 10 feet. (It should be noted that this course had hedge fences, not the timber found in the established Maryland steeplechase races.) To maintain the sod for the track and for other properties, duPont set aside approximately 400 acres east of Appleton Road to grow and pamper the sod grassland.

The 1st Fence at the 1941 Foxcatcher National Cup Steeplechase


The 4th Fence at the 1941 Foxcatcher National Cup Steeplechase

The 5th Fence at the 1936 Foxcatcher National Cup Steeplechase

The 13th Fence at the 1941 Foxcatcher National Cup Steeplechase


At it's full development, the course featured four stands. The National Cup Stand and Aintree were the largest stands and were located behind and adjacent to the finish line. There was also one stand which was reserved for farmers in the Fair Hill area. The fourth stand was for the grooms, who like the farmers were admitted free of charge. the infield of the course.

1938 General View of the Grandstand showing the Judges' Stand in the foreground

Spectators at the 1937 Fair Hill Race Meet
Let to Right: Mr. James Stokes, Mr. Alfred Du Pont, Mrs. Conrad Thibault, and Mr. Conrad Thibault

Society at the Foxcatcher Cup Steeplechase
Mrs. Lawrence Bevans and Mr. C.E. Hoffman at the 1938 Foxcatcher National Cup

The trophy for the Foxcatcher National Cup Steeplechase was silver, presented by W. Plunket Stewart and rumored to date back to the time of Queen Anne, engraved on the inside "long life to the chase, the turf and the road." In addition to the Foxcatcher National Cup, there was the Fair Hill Steeplechase, for which a gold cup about 20 inches high with a pre-war value of $3500 was awarded.

1937 Trophy Presentation of the Foxcatcher National Cup
Left to Right: Mrs. W. Plunket Stewart, Mr. Campbell Weir owner of the winner Soldier's Fate, and Mrs. William du Pont, Jr.

1938 Trophy Presentation of the Foxcatcher National Cup
Left to Right: Mrs. W. Plunket Stewart, Mr. A.W. Baltazzi owner of the winner Ad Lib, and Mrs. William du Pont, Jr.

In 1937 and 1938 the Foxcatcher National Cup had the second largest prize in horse racing behind the Grand National at Belmont Park.

Ad Lib in the final stretch of the 1938 Foxcatcher National Cup
Ad Lib with H. Harrison up, an 8-1 shot, comes up from behind in the final stretch

Corrigan in the final stretch of the 1941 Foxcatcher National Cup

Some things came to the Foxcatcher which were never seen at other steeplechases. In 1937, ten planes hazarded a landing in the infield of the course. To prevent accident, in August 1938 a new landing field was created directly north of the grandstands on the north side of Route 273 and adjacent to the course.

1938 Aerial view of the landing field created on the north side of Route 273

Eventually, duPont held two race meets on two successive Saturdays in September, with a horse show prior to the first race and a cattle show prior to the second. The races were organized by the Foxcatcher Hounds Hunt Club and the Cecil County Breeders Fair and du Pont invited all his neighbors to show their animals and offered good prize money without collecting any entry fees. He hosted a lunch for all the local farmers in the “Tea Barn” behind the race stands. All the farmers who farmed the estate or who bordered the estate were given free passes to the races, a tradition that continued after his death and until the State of Maryland purchased the land.

The bookies, as they were surrounded by the crowd placing bets, at the 1937 Race Meet

In 1942 the races were cancelled due to World War Two, resuming in 1948.

The site today has a grandstand and box seats, a rarity at American hunt meets. Until recently with parimutual betting coming to the Virginia Gold Cup, Fair Hill was unique among hunt meets in that it had legal betting. Fair Hill's natural-brush fences have been gone for many years, and today races are run over artificial brush fences, a shadow of the former fences. DuPont's turf continues to be in excellent shape and requires only normal maintenance to this day. Other improvements to the course have been paid for by the State of Maryland, which owns the race course and the portion of the former Foxcatcher Hounds hunting grounds within the State.

The paddock and saddling boxes at the 1937 Fair Hill Races

While the race may be a shadow of its former glory, this course was once a rival to Aintree as being one of the toughest steeplechase courses in the world. Maybe one day the jumps will be reconstructed to their former selves and we can once again experience the Aintree of America.

Winner of the 1941 Foxcatcher National Cup
Corrigan with W.G. Jones up

Tuesday, March 20, 2018

Revisting A Cordings Tweed Suit, One Year Later...


Last August I posted about Cordings of Piccadilly and their tweed suits. I did so having purchased the suit in early March, which unfortunately gave me a very short window of opportunity to wear the suit. Now a year later, I thought it time to write again about the very same suit. And while you may have to wait until next year to wear one the Cheltenham, the Maryland Steeplechase season is almost upon us, which if the current state of the weather is any indication of what the weeks ahead may bring, will bring ample opportunities to wear tweed.

While I have a rather tidy collection of American Tweed Sack Coats, this suit is entirely different. You just don't see tweed suits this, the American, side of the pond. I’m not sure why, but after enjoying my tweed suit from Crodings for the past year, I am already making plans to add another to my wardrobe.

J.C. Cording & Company began business as an outfitter and waterproofer in 1839. By 1843, Cordings was selling the Mackintosh, which is still sold today. This is a waterproof coat made possible by Charles Mackintosh who perfecting the process of dissolving rubber and binding it to cotton to allow the creation of waterproof garments. 

Cordings was awarded a Royal Warrant in 1909 as waterproofers to the Prince of Wales, and future King George V. In 1922, the Prince of Wales, and future Duke of Windsor adopted Cordings as one of his outfitters. It was at this time that their famous Newmarket boots were patented, boots which were made for Elizabeth, mother of the current Queen Elizabeth, the Duke of Windsor, and Mrs. Simpson. Unfortunately, Cordings no longer makes these waterproof canvas and leather boots. It was during the 1920s and 30s that Cordings established the five core items which they are still known for to this day, the covert coat, Mackintosh, tweed jackets, corduroy and Moleskin trousers, and Tattersall shirts.

In 2003, after weathering the Second World War, the post war years, the rejection of tradition, and the years of outsourcing production from the UK by man businesses, the current management team approached their best customer, Eric Clapton, and asked if he would assist them in a management buyout. “I first became aware of Cordings in my mid-teens,” Clapton explains. “I come from the country and it was the highlight of our week to come up to London and listen to the musicians. It was difficult to get home late, so I would spend that time till dawn just walking the West End. I remembered Cordings. It stuck in my mind as a place of tradition; the heritage of England.”


Thanks to the assistance of Cordings friendly and extremely helpful staff, I was outfitted in their House Check Tweed in short order with turnups on my trousers ready in a few days. 

Their House Check Tweed jacket is made of 14 ounce 100% Scottish Tweed woven exclusively for Cordings, and features a three button front, with a single back vent, working four button cuffs, and a ticket pocket. As I mentioned in the previous article, for those who might not be familiar with the "working cuff" this simple means that the cuff buttons are not decorative, they really do unbutton. This jacket, like every one I have purchased from them also features a functional lapel button hole which allows you to add a lapel pin or flower, as the back of the lapel features loops to secure the lapel flower stem. Small details that many do not notice or even feel they are missing, but details which set this jacket apart from the rest of the crowd and make it a staple jacket in my wardrobe. 



The trousers are also made of the same 14 ounce 100% Scottish Tweed, are half lined in 100% cotton, and feature a pleated front and button fly.

The weight of this fabric is wonderful, and something not seen in many American off the peg suits with their wispy fabric to attempt to create a four season suit but creates one suit not suitable for much. This is a weighty suit, though not the heaviest weight Cordings offers. 

I have some limited experience with the suit last Spring, but this past Autumn and Winter the suit really made its mark on my opinion. Because of the natural wool fibers, this suit was never too hot, but always just right throughout the Autumn and Winter. I don't need a four season suit, that is why I wear different suiting for different seasons, and this Tweed is excellent for the seasons for which it is designed. But it is this suit which makes me enjoy the cooler days of those seasons and dread the hot and humid days of summer which will cause it to be retired for a season or two. 

As I mentioned before, the jacket is true to my American size, but the trousers are slightly different. The very helpful staff member at Cordings suggested a waist size 2 inches larger than my American. Needless to say, he was spot on in his recommendation.

I decided to not purchase the matching waistcoat, as I thought it a bit much for me, though it does look ever so smart! I’ve been regretting this decision ever since and will make this an addition in the future.

Another item which I did not originally purchase were breeks. Offered as plus twos or plus fours, these wardrobe items eluded me until last Autumn. I was out at a steeplechase race and it was rather damp to say the least. I’d worn my Cordings tweed suit, as I knew it would keep me comfortable all day. But with the rain I switched my country brogues for a pair of wellies. I tucked my tweed trousers neatly into the boots and went on my way dry and comfortable at the races. But unfortunately, the trouser lining does not go much below the knee and the top of the boot began to rub against the wool and in turn against my shin. Lesson learned, wool trousers are not to be worn with wellies.


The solution was obvious, breeks. In two different lengths below the knee, two inches with plus twos or four inches with plus fours, they are worn with long shooting stockings, perfect for wear with wellies. Their were photos of this everywhere from print magazines to websites, and I’d ignored them. But no more. Now I’ve got my breeks and I’m ready for the rain and damp in true Cordings style. They might not be for everyone, and perhaps as an American, you might feel a bit self-conscious about wearing these, but they are a classic British look designed for sporting events in the nasty damp, wet and cool weather, and Cordings will get you outfitted in style.

Tweed suits are not easy to find in America and when you wear one from Cordings, even without a waistcoat, you will stand out in a crowd, well dressed and comfortable.
And while you are getting yourself outfitted with a suit, do not fail to pick up a pair of their boxcloth braces. More on these in a future blog post, but these are brilliant!

Cordings make a wide range of items in their House Check Tweed, including caps, bags, and accessories. They also offer a number of other Tweeds in addition to their House Tweed. I would be remiss in mentioning that they also offer Tweed Action Back jackets designed for shooting, which give you superb ease of movement while at the same time retaining the perfect silhouette associated with a Cordings jacket, as well as Tweed shooting waistcoats which feature generous bellow pockets for cartridges, Alcanta gun patches on both sides and inside shoulder insert pockets for the addition of a recoil pad.
Over the past year, I have worn the suit jacket numerous times alone as a sports jackets, as well as paired with the trousers as a suit, and cannot recall a time when I have received so many compliments on my clothing as I have wearing this suit.
Cordings does advertise a "no quibble returns" so as long as none of the clothing has been altered, you may want to take a chance on an order without visiting London, though I can't imagine not visiting their shop in Piccadilly, as it is an experience not to be missed. Also, note that their website prices include VAT of 20% so this is removed from your order before payment is made. For online orders, they generally arrive in less than a week, but with their shipping fees, but to place a larger order and spread the cost of shipping out over many items rather than just one.

And for those buying in London, they will provide you with the paperwork needed to recover your VAT payment at the airport when you are leaving the UK.

You can find Cordings online here at www.cordings.co.uk.

I eagerly look forward to my next visit to Cording of Piccadilly and as always will be sure to leave space in my luggage for new acquisitions I am positive I will be making!